LAGOS, Nigeria — The traffic is there,
grinding life to a halt as the middle class pound out messages on
BlackBerry mobile phones and worry about Facebook. The heat, the sweat,
and the daily tragedy of unclaimed bodies lying alongside roadways,
passers-by hurrying past for fear of someone else’s misfortune becoming
entangled in their own.
This is modern life in Nigeria’s largest city, Lagos, which becomes almost a character of its own in novelist Chimamanda Ngozi Adichie’s
(pictured) new book, “Americanah” (pictured at right). And within its
pages, one catches self-acknowledged glimpses of the writer herself, who
shot to fame with her previous love story set during Nigeria’s civil
war called “Half of a Yellow Sun.”
As that book is being made into a movie, more international attention
will focus on Adichie, part of a raft of new Nigerian writers finding
acclaim after years of military-induced slumber in a nation with a rich
literary history. Yet Adichie, like her new book’s heroine, finds
herself straddled between a life in the United States and one in
Nigeria, where even seemingly innocuous comments on hair care and wigs
can stir resentment.
I’m writing about where I care about and I deeply, deeply care about
Nigeria,” Adichie told the Associated Press. “Nigeria is the country
that most infuriates me and it is the country I love the most. I think
when you’re emotionally invested in a place as a storyteller, it becomes
organic.”
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